He uses mainly metal as a material to create moving sculptures. His works incorporate the “escapement” structure that has been used in mechanical clocks since the 13th century. While clocks were originally used to improve efficiency and productivity, he has reframed them as “structures for slowing down speed.” As modern society accelerates through technological progress and becomes disconnected from natural perceptions of time, he reconstructs escapement as a device to decelerate time, presenting it as sculpture imbued with paradoxical criticisms of post-modern values of efficiency and productivity.